She predicted the weather
Sydney Contemporary
Carriageworks, Sydney 2022

By Justene Williams
Performed by Billee Harris, Alice Weber, Renata Commisso, Lizzie Thomson and Ryuichi Fujimura

Photos by James Horan.

Sinkhole
Gathering Geographies curated by Mara Schwerdtfeger
Darren Knight Gallery, Sydney 2022

By Rebecca Jensen, Arini Byng and Jess Gall
Performed by Eugene Choi, David Huggins, Anny Mokotow, Alice Weber, Tammy Bouman and Chantel Jurcevic

Review by Suzanne Claridge on Performance Review. Photos by Zoe Baumgartner.

Ever Sun
City of Sydney commissions, Sydney 2020-21

By Rochelle Haley
Performed by Angela Goh, Ivey Wawn, David Huggins, Patricia Wood, Alice Weber

Review at City of Sydney: City Art Sydney.

One in the Other (2)
Delfina Foundation, London 2018

Direction: Murat Adash
Performance: Ioanna Bili, Jilly Connick, Francesca Costa, Roberta Gotti, Ripp Greatbach, Oriana Haddad, Sean Murray, Lorenzo Nocentini, Bakani Pick-Up, Miriam Tsehai and Alice Weber

Rancio' da Picnic o Il Buon Soldato 
Oscuramento: The Wars of Fabio Mauri | Hauser and Wirth, London 2016

From Hauser & Wirth:
'Oscuramento: The Wars of Fabio Mauri’ focuses on the series Picnic o Il buon soldato (Picnic or The Good Soldier), a sobering, direct and poetically reflective body of work that depicts the repercussions of conflict on collective cultural memory. The exhibition brings to light the political dimension of the image, as it is projected and proliferates throughout contemporary society.'

Mortals
Artists_now: Postgraduate Show | Bonnie Bird Theatre 2017

Choreography by Bakani Pick-Up
Music (live) by Anthony Njoku
Performed by Alice Weber, Theo Arran, Mayowa Ogunnaike and Darren Payne

mortals.jpg

World Wi(l)de Walking 
Tanzcompagnie Gießen for TanzArt OstWest 2016
Choreography by Félix Duméril

From TanzArt OstWest:
'Duméril assembles figures from different times and spaces in a collage into the train station halls, letting them dance, walk and clash to evoke a unique experience of physicality and space, consciously breaking the roles and conventions of the viewer.'