Laban Studio Theatre 3.11.17

Performed by Julia Kayser Torres

Here it is precisely the 'hysterical reality of the body' that is magnified, not concealed, to allow for new bodies: not through spectacle, but through quiet moments, tremors, the fingers and toes. The body dips in and out of recognition in a series that identifies the forms of dance as we know it: splitting them open, inhabiting, heightening and rendering them useless.

Extending the edges of recognition in the direction away from spectacle; feminism, phenomenology and post-structuralism form a triadic assault on the stability of the (dancing)(female) body.

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