Alice Weber  (b .1991, Australia)
+44 (0) 7456875671 | +61 (0) 487434646 | alicemaeweber@gmail.com

Artist spanning performance, choreography, teaching and research. London and Sydney based.

I acknowledge the Dharawal people and the Gadigal people of Eora Nation as the traditional custodians of the land on which I have lived, worked and studied.

Choreography

2019, Erskineville Town Hall, Desire is the Third Element
2018, Teatro Ruskaja, Speculative Bodies
2018, Centro Negra, Piece for Space 2
2018, Centro Negra, Melancholy for a Myth
2018, Dulwich Picture Gallery, Metamorphoses with Anna Ziman and Georgia Scott
2018, APT Gallery, Anti Collapse
2018, Headfirst Opera, La Traviata dir. Sophie Gilpin
2018, Laurie Grove Studio, Solo for a Body
2017, Turner Contemporary, Body Object
2017, Laban Studio Theatre, Thought Border/Body Vessel
2017, Laban Studio Theatre, Writing the Body Object
2017, Chisenhale Dance, Grasp
2017, St John Smith Square, 1990i with Niamh Beddy
2017, Resolution at The Place, Interaction with Ben Saffer
2016, Emerge at The Space, Pomorodoro
2016, Old Finsbury Town Hall, 1990i with Niamh Beddy
2016, Festival of Recorded Movement, Vulnerable Pace
2016, Blue Elephant Theatre, Pomodoro
2016, Peter Sarah Theatre, Yes, but what does it mean
2014, Open Arts Café, Dream Job

Performance

2018, Delfina Foundation, One in the Other by Murat Adash
2017, Tate Modern: Tate Exchange, 17 Morae by Eriko Kawai
2017, Central Saint Martins, Language I Spoke in a Dream by Eriko Kawai
2017, Bonnie Bird Theatre, Mortals by Bakani Pick-Up
2017, Central Saint Martins, Metacognitive Tool by Monika Dorniak
2017, Herne Hill Festival, Adrift by Mari Frogner
2016, Tanzcompagnie Gießen, World Wi(l)de Walking by Félix Duméril
2016, Copeland Gallery, Metacognitive Tool by Monika Dorniak
2015, Hauser & Wirth, Oscuramento, Ranchio’ da Picnic o il Buon Soldato by Fabio Mauri
2015, Britten Theatre, The Infinite Bridge chor. Stina Sommerlade
2015, Central St Martins, pretty?tacky for Hannah Knox cur. Lilly Quinn
2015, Oval Space, London Contemporary Orchestra, Imagined Occasions by Mari Frogner
2014, Sadler's Wells, London College of Fashion, An Ancient Tale by Aneka Felzcak and Liana Nyquist
2014, Rose Theatre, Romeo and Juliet dir. Sophie Gilpin
2014, Rich Mix, Buried Secrets by Maddy Wynn-Jones Lydia Fraser
2014, Wimbledon International Festival, Stravinsky's The Soldier's Tale by Kamara Gray
2014, London College of Fashion, Orfeo: Hope by Alexandra Kaspala
2014, Hideaway Festival, Bioluminescence by Dalia Yassine

Research and Events

2019, producer, symposium Difficulty in Dance Discourse with Monika Błaszczak
2019, guest workshop, on Professional Dance, Dartford Grammar
2019, producer, film screening Body Regulations for March Dance
2018, leader, lecture workshop, Speculative Bodies with dancers from Ramallah Sarreyet, Palestine at ANdD Rome
2018, participant, [ART&CRITIQUE] (funded by Laban grant)
2018, performance lecture, Research Design in Performance at University of Bedfordshire, On Unstable Ground(s)
2018, seminar, Trinity Laban MFA intensive
2018, thesis, Leonardo Abstract Services, Performing the Flesh
2017, panel and performance, The Cube, Sensing the Invisible
2017, workshop series, CoLab at Laban, ASM-art with Hollie Harding
2017, workshop series, Improvisation Technique, Studio A
2016, guest workshop, on Professional Dance, Bethany College  

Residencies and Awards

2019, artist in residence, March Dance, Sydney
2018, artist in residence, Accademia Nazionale di Danza, Rome
2018, artist in residence, Centro Negra: AADK, Murcia
2016, artist in residence, Crash with in-situ, Brierfield
2015, grant award, One Dance UK: Choreographic Observership

Education and Training

2018, Trinity Laban, MFA Choreography, Leverhulme Scholarship
2016, Dance City Newcastle (Teesside University), BA Dance (Hons)
2013, Royal Academy of Dance, Advanced II Classical Ballet (Distn.)
2013, Academy Ballet, Pre Professional Program with Vicki Attard
2011, The University of Sydney, B.Psych (Hons)