Transforming the Metacognitive Tool is a performance on agency, (dis)embodiment and 'the paradox of humanities simultaneous immanence and transcendence'. Improvised choreography devised in collaboration with artist and philosopher Monika Dorniak. 

The Performance Studio at Copeland Gallery, 2016
Em-Em: Sensing the Invisible at The Cube, 2017 - performance and roundtable speaker

17 Morae by Eriko Kawai | Tate Modern for CSM x Tate Exchange

Performed by Alice Weber and Marie Astrid Mence

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Interaction

Resolution @ The Place, 21.2.2017

a dance/film collaboration with Ben Saffer

The final piece begins brilliantly, with dancer and choreographer Alice Weber on stage and a film of her projected behind. The real and projected Alice, in the same white dress, perform a silent duet – sometimes synchronised, sometimes not – and it’s incredibly effective. She’s trying to find herself – her performing self – and her movement is weighted and off-balance with gorgeous hyperextensions. But the sequences are also halting and unpolished, as if she’s rehearsing or testing things out, which is quite beautiful in its freedom. As the music comes in, the pace and energy build and the two Alices fall in sync, windmilling their arms together.

- Samantha Whitaker, londondance.com

Becoming one with her filmed environment, Weber evokes a healing presence, and when the flowers begin to close up she yields to their impulse and folds into herself.

- Nicholas Minns, writingaboutdance.com

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